( if you didn’t it would look dull and uninteresting and it wouldn’t show a clear picture of what you are wanting to get across to the audience). Waltz music gives this phrase a lyrical feel. For example, placing a dancer at the centre of centre stage makes a strong impact, as does moving a dancer along a straight line from upstage centre to downstage centre. Notice how does this gentle soundscape affects your perception of the movement. Dynamics is hard to put into words - it has to be experienced. The fourth factor describes the flow of movement on a continuum from free to bound. Other interesting shapes and paths include the zig-zag, square, curve, circle, figure eight, in-out spiral, serpentine and free-form or random pattern. A symmetric sequence is one in which movements to the right are mirrored by movements to the left, and vice versa. When a dance is performed in silence or to a soundscape, its movements embody their own rhythm. The dancer’s waltz movements take on a different quality with this contemporary soundscape. A free movement proceeds unopposed and unrestrained. A phrase in 5/4 time: 1,2,3,4,5; 1,2,3,4,5. Many ballet movements are categorized by their characteristic tempo. Some, like the Montréal-based Cirque du Soleil, use platforms and scaffolds to extend the vertical range of spatial design. The diagonal line from upstage left to downstage right makes the longest line on stage and is also a strong path. Percussion accompaniment best emphasizes the rhythmic element in dance. This ballet phrase with balancés and grands jetés has its own 3/4 rhythm: Step hops syncopated (1 u2 u3 u 4 u5 u6 u7 u8 u). Force, weight, energy, movement qualities and … This excerpt from The Holy Body Tattoo Our brief eternity shows dancers moving at slow, medium and high speed. While ballet commonly uses regular time signatures, modern dance often uses irregular ones like 5/4 (" 1, 2, 3, 1, 2 ") ; 7/4 (" 1, 2, 3, 4, 1, 2, 3 ") ; and also changing metres. This is the most complex component since it encompasses all the other elements. dynamics is important in dance music because without it the mood and happy energy of the song would not be givin. By contrast, an asymmetric position is different on the right and left sides of the body. Classical ballet positions most often use elongated lines and curves, whereas modern dance includes a range of shapes from contracted to extended. dynamics is important in dance music because without it the mood and happy energy of the song would not be givin. This has a lyrical feel, like a skip: 1 and a, 2, Country pas de basque in 2/4 time: 1+2 1+2 1+2 1+2, Balancé waltz in 3/4 time: 123 223 323 423. Delve into engaging information on the performing arts. Metre refers to the organization of beats into bars with strong accents on the downbeat followed by lighter accents. The space factor reflects how the dancer moves in space on a continuum from direct to indirect. Choreographers vary and contrast dynamic qualities to add excitement and retain audience interest. A light action has the body moving in a lifted and rarefied way. A strong action has the full mass of the body behind it; it's rooted and grounded. The choreographer experiments with these different spatial forms to underpin the idea or feeling being expressed. Here are three space concepts to explore: Basic geometric forms include straight lines or rows that extend from wing to wing or from upstage to downstage. There's a lot to discover! 2011 .CA Impact Awards, Best Cultural Institution Website European choreographer and movement theorist Rudolf von Laban was the first to describe a coherent theory of dance, incorporating an analysis of "Antrieb," often translated as energy or effort. The downstage dancer moves with the syncopated rhythm of the sticks. In dance we talk of movement phrases, which dancers may or may not count in musical beats corresponding to bars. We can describe these as high-middle-low or vertical-horizontal-oblique. Dancers sense metre as a recurring rhythmic underpinning. This has an even feel: 1+2+, 1+2. Every song would have the same … This is not "clock time" in the sense of seconds versus hours or fast versus slow. The rhythmic accent may be regular, following the strong beat of the musical bar, or syncopated, shifting to the weak beat. Time signatures each have a unique feel. Think of contrasting shapes that are angular-curved-straight, shrinking-expanding or contracted-extended. Every song would have the same value and boring Find resources of interest to you and your family, eLearning Category Winner Bring ArtsAlive.ca into the classroom. Spatial patterns, like body shapes, may display symmetry or asymmetry, suggesting stability and equilibrium versus irregularity and imbalance. We often describe it as the quality of movement, the intangible factor that adds uniqueness, richness and power. This is the most complex component since it encompasses all the other elements. Music for dance can also be polyrhythmic, having two simultaneous tempos and metres. Think of threading a needle. Steps hops done evenly (1+2+3+4+5+6+7+8+); Weight-related action words: force, power versus delicacy, finesse. Step-hops in 6/8 time. W3 Awards: 2008 Silver Winner, 2010 Award of Distinction They may create movements that correspond with the start and end of a musical or sound phrase, or those that cross phrases. The time factor reveals the dancer's attitude to time on a continuum from sustained to sudden. The next element of composition is design in space: the paths and patterns the dancer traces in the performance area. The components of dynamics: - Weight - Energy - Force - Movement qualities - Laban's eight effort actions Syllabus definition - one of the elements of dance; the level of energy or force applied to the execution of a movement or movement sequence Alternate definition - one of the elements of dance; creates light and shade within the dance.

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