science and art. That might be good or bad, depending on your personal taste. I think this section is rather misguided, getting hung up on the "x" versus x form of quotation instead of attempting to integrate it with the kind of quotation found in jazz, that involves themes considered broadly recognizable and often signaled by changes in style, just as " and italics are changes in formatting. The main idea behind it is that our world consists of many different worlds, all of which are equally important to us. Though some particular items are likely perceived as art or not no matter how they are used, the context of presenting something as art is usually effective to making it into art (as presenting a particular rock in a natural history museum makes it a sample of that kind of rock). Goodmam's Ways of Worldmaking is a very dense but rewarding book. this one is for you Carl,Inspiring way to look at art and how to enter its worlds. "World-making" refers to how different people, from artists to scientists, all cope with nature and propose new world-versions that are diverse tenable views that unproblematically contradict each other. Goodmam's Ways of Worldmaking is a very dense but rewarding book. Although I came to see how many of the chapters are explicitly related and contribute to Goodman's overall project, some of them still seem mysteriously disconnected. 7. Articulating a theoretical relation be Goodmam's Ways of Worldmaking is a very dense but rewarding book. (Goodman says the book is "trying" in both senses of the word.) bodies of knowledge, artistic traditions). Just found goodman's "languages of art". His overall project is to argue for the plurality of truth and bolstering it with an account of "rightness" conditions, which can replace traditional epistemological truth conditions. (Goodman says the book is "trying" in both senses of the word.) Some philosophers take issue with Goodman's irrealism and find it suspect to relativism; I believe that this worry is valid logically, but practically, Goodman's irrealism is indeed secure from relativism. The fabrication of facts: an elaboration of 1. The potential for creating worlds is limited only by the resources we bring or acquire. I was particularly interested in Goodman's remarks on "musical quotation", which are related to Zed's work on sampling, and his discussion of varieties of conflict between claims, which bears on arguments in contextual This is wild and crazy philosophy. In Ways of Worldmaking, he develops in a less technical and formal manner the thesis that there are multiple worlds, constructed differently according to the categories used by a given … That might be good or bad, depending on your personal taste. People just can't have world-versions that deviate to extents of absurdity because of the constraints of embodiment, psychology, and socialization. Goodman is concerned about symbols (or representations or statements or propositions) and the various ways they are incorporated within symbolic systems. And considered even by my little knowledge about "affordance"(Gibson, Reed, and so on. Instead of regarding representations in terms of truth conditions, we should consider representations as symbols, which are free from truth conditions and simply refer to other "worlds" (e.g. Goodman argues that we need to adopt a radically new epistemology, where truth may be replaced by the criterion of rightness. There are several reasons for this I believe: a.) Goodman's writing style is terse and direct. The status of style: this chapter applies to the tools of the above to what style consists of, questioning common choices such as "that which is the way something is said rather than its content" or "what is expressed about the topic rather than its facts"3. This book speaks a lot about that, though it seemed too pragmatic / relativistic at times, and hence didn't give me many of the answers I sought. That's as far as I'll go without spoiling the book. Goodman is committed to a fact-constructivism, a view which maintains that facts are description dependent or partially description dependent, b.) The main idea behind it is that our world consists of many different worlds, all of which are equally important to us.

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