Katherine Grey identifies her as the woman she met at lunch – Ruth Kettering – but the face has been disfigured almost beyond recognition. Was he scandalized by it? It reminded me of John Barry's score for «Out of Africa». To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. And did the train scenes feel a little too much like Orient Express? They deliberately wanted to increase the number of suspects here, to make the adaptation more 'exciting' for the viewer. Their friendship was so charming. At least enough to observe? I don’t suppose you know the piece of music played at the moment Poirot speaks to Lord Yeardley in ‘The Adventure of the Western Star’? However, the hall seems to have been used as the interrogation venue of the Gare de Nice. This seems to me to be a longer more lavish remake of an episode called the Plymouth express from 1991 - the killer has the same name, the story is the same, only the location is different really, instead of being a cross country English train with rich English girl murdered, its transported to the Med and an American is the victim. I wasn't that impressed by the 1928 novel. Simply wonderful, small booklet with informations. I don't mind most of the changes, I understand the whole thing had to be restructured due to the short story episode. The Mystery of the Blue Train. You will notice that in all productions since then any references to the theme are extremely obtuse and few and far between. I didn't care for some of the changes - the murderer's attempt to escape the law on the train tracks; and the changes in Katherine Grey, Ruth Van Aldin and Lennox Tamplin's personalities. To my gray cells, a mystery. I am looking for the same. They'd have stood/sat there until the ends of time out of politeness, until Poirot intervened. All brass and a bit of percussion I think. He is definitely impressed by being permitted to socialize with aristocrats...it's even part of Vera's appeal for him, and he doesn't want to hear anyone say that she may be a phony.I actually wondered a little about Katherine's social insecurity, because, granted, she's never had a lot of money before, but surely, she would have been around people with money and/or status in the course of her employment? Can you or your very knowledgeable Poirotphiles tell me, please? This episode was based on the novel The Mystery of the Blue Train, first published in 1928, which in turn was based on the short story 'The Plymouth Express', adapted for Series Three.The novel was adapted for television by Guy Andrews (who also adapted Taken at the Flood and Appointment with Death) and directed by Hettie Macdonald. I am looking for the ending soundtrack of "After the funeral" season 10 episode 3. All that money...heck, enjoy your freedom, don't tie yourself down! a mixed bag. Miles late, but in case anyone is - like me - reading these wonderful write ups and comments, the waiter (being exceptionally exact and English) was patiently waiting for her to taste the wine. Obviously he isn't trying to get them into bed, but I'm starting to wonder if he's motivated by some sort of attraction, (and some of them of seem somewhat attracted to him) or if he's looking for a substitute for the child he never had, or if he has some sort of rescue complex - to the point that he's seeking out people to rescue! And on the one hand, the scene where Corky gives Lady Tamplin a present, and it seems to be leading to some "bedroom time" seemed gratuitious, on the other hand, it did show that for all their, in Poirot's words, silliness and snobbery, they were really "into each other" unlike many couples in this society. )Actually, I think the Katherine of the book is a little more confident at the outset - but in the books, the women tend to go from "independent" to "ready to settle down and smart enough to make the right choice who with" whereas in this series they tend to get more independent.Having said all that, I wasn't sure how sympathetic they meant to make Lady Tamplin and Lennox, but I wasn't disgusted with them the way I was with the Cloades.

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