Yes, Grimes is a lot, but that’s part of what makes her songs special. List and review the concerts you've attended, and track upcoming shows. Nation Of Language mine the sounds of ’80s synth-pop and new wave to work through decidedly current feelings of listlessness and discontent, frontman Ian Devaney’s deep, rich baritone splitting the difference between your favorite post-punkers and the National’s chief brooder Matt Berninger. If climate change was a Goddess it would be Miss Anthropocene — weird, terrifying, and radiant, at least according to Claire Boucher. Livestreams, drive-in concerts, fan pods, N95 festival vape suits — is that what we have to look forward to for the rest of the year? Its itchy, bombastic tracks are a way for Charli to bounce off the walls of her own mind and feel fulfilled while doing so. He kicked off the year with a new album from Against All Logic, his side project that approaches the dancefloor reverentially and with an ecstatic glee. –James. Now that she’s entering her thirties, sobered up and madly in love, her music as Waxahatchee brims with perspective and grace. Breezy despite its density, Thundercat’s fourth album is as fun as it is deep. Fire it up. Denzel Curry’s smart, snarling punchlines hit like spit in the face, even when they’re as goofy as “fire flows like I’m red and white Mario.” And they’re backed by dark, sharp little head-knockers courtesy of star Rico Nasty collaborator and The Cave host Kenny Beats. Banging pots and pans, barking dogs, and the hum of casual existence are all instruments in Apple’s hands. Modeled after Ex Hex’s Rips, wherein Mary Timony retconned her whole career to see how “Fox on the Run,” “Hot Child in the City” and “Baby Baby” (The Vibrators, remember?) With its fat, fuzzy riffs and living-for-the-weekend vibe, it’s made entirely for boozy barbecues and blokey banter, and maybe the odd trip to a monster truck rally. It’s a deeply intimate, deeply beautiful examination of regret, loss, disappointment, solitude and personal demons, made all the more alluring by his warm, frank, subtly emotional vocals. These are the albums that moved us. “Gospel For A New Century,” the opening track on the experimental pop artist’s latest album, is one heck of an introduction to this new era of Yves Tumor: all over the place in the best possible way, with blown-out guitars and guttural noises and a catchy, insistent beat. — D.W. Grimes, Miss Anthropocene (4AD) Chubby And The Gang, in other words, make a supremely British version of bar-rock, turning knucklehead soccer-hooligan chants into poetry. That’s the scale that Envy are working on, and that’s what listening to The Fallen Crimson feels like. Along the way it connects the dots between “Pink Houses,” Red House Painters, and the houses on all those memorable emo album covers. This follow-up to Murder And The Motive takes the promise inherent in their debut, ratchets up the intensity 10-fold and positively rams home the qualities that made that record special. –Peter, Turns out future nostalgia sounds a whole lot like regular nostalgia. STP’s new album will, on first listen, surprise and likely disappoint some fans of the band’s hard, power-chord-driven delivery and overall oomph. Louder is part of Future plc, an international media group and leading digital publisher. They know how to wield dynamics without actually pausing to be quiet that often. –Tom, From the first guttural guitar haze of “Pill,” you think you know what you’re getting. Honestly, you can even forget the convoluted narrative about climate change personified as a goddess or whatever. Some of them demand to intensify your workout or gaming session. –Tom, Call it EIDM: emotionally intelligent dance music. Underneath has soaring choruses, jittery IDM drill-beats, scuzzed-out nu-metal groove-attacks, and riffs hard enough to clothesline the skin right off of your skull. And it’s only Dogleg’s first try. –James, All singer-songwriters are storytellers of a sort, but neither term does justice to what Andy Shauf accomplishes on The Neon Skyline. BA1 1UA. The best music of the 2020s. That’s not a quip about its staggering runtime; it’s just the nature of the album, an unruly restlessness suggesting the more contained, logical roads-not-taken.

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