" "The writer of 'Identity.' "Piranha 3D" may not have conjured up a huge number of scares, but the meta-story around the Dimension Films release is turning into entertaining bloodsport. It's a picture that was a bit difficult to understand, yet very clever. Sam is a determined paramedic trying to save the world while running from her past. )The music had a haunting quality that I loved. As her investigation unfolds, she begins to discover that the multiple personalities are all past murder victims, and the story begins to take on religious and exorcism overtones; it's "Primal Fear" by way of 'The Rite." He picks up a pretty woman in a rural area at night. From superheroes and magic dragons to killer mermaids and love-crazed robots, we’ve been pioneering high-quality virtual, augmented and mixed reality experiences, games, and location-based entertainment for over a decade. Want to share IMDb's rating on your own site? It was formerly used as Bob and Harvey Weinstein's label within Miramax which was acquired by The Walt Disney Company on June 30, 1993, to produce and release independent films and genre titles, specifically horror and science fiction films. [5] In July 2000, the company released the horror parody film Scary Movie, which grossed a record breaking $278 million for the company and marked the beginning of another popular film series.Template:Sfn 2001 saw the release of the Robert Rodriguez-directed Spy Kids, which was the company's first major children's film; the film would spawn another popular franchise for the company.Template:Sfn, Beginning in 2000, Dimension began purchasing North American distribution rights to various international productions; their 2001 release of The Others, a Spanish-produced supernatural thriller starring Nicole Kidman, was a surprise success for the company.Template:Sfn Other international productions purchased by Dimension included two additional horror films by Spanish director Jaume Balagueró: The Nameless (1999), and Darkness (2002).Template:Sfn Darkness received a North American theatrical release in December 2004 after being shelved for several years, and proved to be financial success,[6]Template:Sfn while The Nameless was released by Dimension direct-to-video in 2005. JOIN THE MAILING LIST [13][14], Beginning in 2008, Dimension began to distribute an exclusive home video line titled Dimension Extreme, which mainly consisted of independent and international horror films, some of which were direct-to-video North American productions, and others foreign horror films making their home media debuts in North America. After first releasing a fake Oscar video from members of the cast, the Weinstein Co. division is now sending out word about one of the producers, Mark Canton, responding angrily to James Cameron's (slight) knock on the film. The idea, he said, was for "a very simple, efficient concept to reboot or reinvent that kind of disaster movie, creature movie from the '80s, that kind of guilty-pleasure movie that delivers on every front." (Well, there was a touch. Cambridge, England, 1921 - or so it seems. Dimension Films produced and/or distributed these films, which are listed in alphabetical order and sortable by any column. Dimension Films, the genre label run by Bob Weinstein, is making a deal to develop "The Mummy Archives," described as a more artful and modestly budgeted version of "The Mummy," the insanely lucrative Brendan Fraser franchise. Dimension is advancing capabilities for virtual production in film, drama and broadcast, offering new levels of creative freedom and cost efficiency at every stage of the process. Log In. Cameron, who worked for a few days on the sequel to the Joe Dante original before being fired from the production, said that "I tend almost never to throw other films under the bus, but that is exactly an example of what we should not be doing in 3-D. Because it just cheapens the medium and reminds you of the bad 3-D horror films from the '70s and '80s. Add the first question. [8], After their separation from Miramax, Dimension would co-produce several titles with Metro-Goldwyn-Mayer, including the horror remakes The Amityville Horror (2005),[9] and Black Christmas (2006),[10] and Halloween (2007),[11] as well as the Stephen King-based thriller 1408 (2007).

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