As the nursemaids leave, Rose enters, dressed in black. [7], In order to enhance the realism of the new work, the collaborators utilized dialogue scenes, sometimes underscored by music. Listen to trailer music, OST, original score, and the full list of popular songs in the film. It was Weill who referred to the piece as an "American opera", intending it as a groundbreaking synthesis of European traditional opera and American musical theater. Anna Maurrant sings an aria about the importance of putting your faith in a brighter tomorrow (Somehow I Never Could Believe). He and Rose talk about the murder, as the crowd looks on (He Loved Her Too). The ensemble sings a tragic chorus number about the killing, The Woman Who Lived Up There. Anna’s husband Frank returns home, angry that his daughter Rose is still out. Recording. He goes upstairs to bed, furious. – Emma and George Jones, Carl Olsen, Greta Fiorentino, "Ice Cream Sextet" – Lippo and Greta Fiorentino, Carl and Olga Olsen, George Jones, Henry Davis, "Let Things Be Like They Always Was" – Frank Maurrant, "Wrapped In A Ribbon And Tied In A Bow" – Jennie Hildebrand, Ensemble, "Wouldn't You Like To Be On Broadway?" Hughes worked with Kurt Weill on the musical Street Scene, which opened on Broadway in 1947, and tells the story of a woman in an abused marriage who is murdered for having an adulterous affair. Rose, however, sticks to her convictions, and sings a Cavatina about how she will always choose true love over showy promises (What Good Would The Moon Be?). Score from "Lifestyles of the Rich & Famous", I Don't Want to Walk Without You (from Popeye Meets Hercules), Ça plane pour moi (Original 1977 Version). The score contains operatic arias and ensembles, some of them, such as Anna Maurrant's "Somehow I Never Could Believe" and Frank Maurrant's "Let Things Be Like They Always Was," with links and references to the style of Giacomo Puccini. Sam and Rose have a brief conversation, as Rose tells him that she has to go to the funeral of the head of her real estate firm this morning. As soon as they leave, the neighbors all begin gossiping about the Maurrant family. Go directly to shout page. On a stiflingly hot summer’s day in New York, a family is pushed to breaking point. Henry Davis, the janitor, enters from the basement and sings of his ambitions to greater things (I Got A Marble And A Star). Later that day, Frank is apprehended by the police. Soaring arias and duets rub shoulders with jazz and the jitterbug, and Puccini shakes hands with Gershwin. Jordan pilots a helicopter high on Quaaludes. Jordan's party on his yacht for his friend Brad, who is released from jail. Quoted, in program notes by Jane Vial Jaffe, May 2008. Emma Jones and Greta Fiorentino lament the incredible heatwave that is gripping New York (Ain't It Awful, The Heat?). Rumour is she’s having an affair with Sankey the milkman. "[4] He further wrote: Weill saw Rice's naturalistic play in 1930 and wanted to adapt it. Mrs. Maurrant comes down to chat and Mrs. Olsen goes back down to her cellar apartment to tend to her baby. Willie has been fighting with a local kid and Sam stepped in to break it up. 7 Ice-cream Sextet ‘First time I come to da America’ - Lippo, Mrs J, Mrs F, Mrs O, Jones, Olsen, Henry, Dialogue ‘Here’s your wife now Mr. Maurrant’ - Anna Maurrant, Lippo, Maurrant, Kaplan, Shirley, Olsen, Jones, Mrs F, Mrs J, No. Alfred Newman (March 17, 1900 – February 17, 1970), was a major American composer of … After the awkward silence of the neighbors forces him to leave, Sam brings Willie Maurrant on in tears. Ticket holders will be contacted directly. As he wrote: In 1936, Weill met Rice in New York and suggested the adaptation, but Rice turned him down. More Info. And from disco to ska to dance tunes to indie rock, “The Wolf Of Wall Street” brings it all (smothered in cocaine). [1] Considered far more an opera than a musical, Street Scene is regularly produced by professional opera companies and has never been revived on Broadway. Rose starts to enter the house when Sam asks what she's going to do. Fuming, he storms into the house, just as George Jones returns home from work and chats with the ladies for a while. Leave feedback. Meanwhile, young Mae Jones and her boyfriend Dick McGann return home – they have been drinking and dance a high-energy jitterbug. Registered in England No. The Bride of Frankenstein: The Creation of the Female Monster, Creative Commons Attribution-ShareAlike License. – Rose Maurrant, "Moon-faced, Starry-eyed" – Dick McGann, Mae Jones, "Remember That I Care" – Sam Kaplan, Rose Maurrant, "I Got A Marble And A Star (Reprise)" – Henry Davis, "Catch Me If You Can" – Charlie and Mary Hildebrand, Willie Maurrant, Grace Davis, Children, "There'll Be Trouble" – Frank, Rose and Anna Maurrant, "We'll Go Away Together" – Rose Maurrant, Sam Kaplan, "The Woman Who Lived Up There" – Ensemble, "I Loved Her, Too" – Frank and Rose Maurrant, Ensemble, "Don't Forget The Lilac Bush" – Sam Kaplan, Rose Maurrant, "Ain't It Awful, The Heat? – Greta Fiorentino, Emma Jones, Olga and Carl Olsen, Abraham Kaplan, "I Got A Marble And A Star" – Henry Davis, "Get A Load Of That" – Emma Jones, Greta Fiorentino, Olga Olsen, "When A Woman Has A Baby" – Daniel Buchanan, Greta Fiorentino, Emma Jones, Anna Maurrant, "She Shouldn't Be Staying Out Nights" – Frank and Anna Maurrant, Greta Fiorentino, "Somehow I Never Could Believe" – Anna Maurrant, "Whatcha Think Of That?"

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