return ctx.regex.email.test( $email.val() ); if(valid){ Want to stay ahead of the art world? googletag.pubads().setTargeting("width", w), googletag.pubads().setTargeting("height", h), 1 == isnewsletter && googletag.pubads().setTargeting("isfirstpage", ['Y', pagetypeforce] ) (function defernl() { Hollywood Africans, a 1983 painting from the Whitney Museum, is a compendium of all-capped words that relate to the title, usually via some kind of political take on the subject: “SUGAR CANE INC.,” “TOBACCO,” “WHAT IS BWANA?”. } + '
Get hand-picked stories from our editors delivered straight to your inbox every day.<\/p>' function slideInModal(upOrDown) { // dataType: 'json', ctx.customSerializer(); © Estate of Jean-Michel Basquiat. Courtesy The Brant Foundation, Greenwich, Connecticut. $('body').on( 'click', '.close-signup', function(){ slideInModal('Down'); Please try again later.' } //default prefix is 'artnet_newsletter_' Jean-Michel Basquiat, Per Capita (1981). // ------------------------------------------------------------------- + '<\/div>'; Government statistics and Hollywood movies depended on ideas and images of blackness—and of society in general—that didn’t necessarily map onto what black lives were really like. A piece called Museum Security, from that same moment, overflows with accusatory words like “RADIUM,” “ASBESTOS,” and “HOOVERVILLE.” All three paintings remind me of the biting lists that Hans Haacke compiled of a slumlord’s real estate holdings, or of the corporate entanglements of the Guggenheim Museum’s trustees. email: /^([a-zA-Z0-9_\.\-])+\@(([a-zA-Z0-9\-])+\. Subscribe to our newsletter to get the breaking news, eye-opening interviews, and incisive critical takes that drive the conversation forward. } // Signup submission expiration_minutes: 5 o[this.name] = [o[this.name]]; if (!window.jQuery) loadJQuery(); // Submit the form + '
' An exhibition at the Brant Foundation's New York space reveals how much he had in common with Jenny Holzer and Hans Haacke. In the Fondation Louis Vuitton, Paris, is Foundation LouisMOBI #239hosting exhibitons on two of the greatest artists of Jean Michel BasquiatMOBI #240the th century Egon Schiele, and Jean Michel Basquiat Both exhibitions have the same curator, and are taking Basquiat Foundation LouisPDFEPUB #234place at the same time The shows illustrate exactly what it is that linked the two artists line, and the use of expressive force This, the catalogue of the Basquiat exhibition, labelled the definitive exhibition by its curator, brings togetherof the artist's most important masterpieces, sourced from interational museumsand private collections With the astonishing radicalness of his artistic practice, Basquiat renewed the concept of art with enduring impact This Basquiat retrospective centres on the idea of Basquiat's unique energetic line, his use of words, symbols, and how he integrates collage in his paintings, sculptures, objects, and large scale drawings The catalogue includes texts by great authors, including Paul Schimmel who tells of his meeting with Basquiat in California Francesco Pellizi who knew Basquiat well and has not written about him for a long time and Okwui Enwezor who talks about the Afro American identityInthe Fondation Louis Vuitton, Paris, is hosting exhibitons on two of the greatest artists of the th centuryEgon Schiele, and JeanMichel Basquiat Both exhibitions have the same curator, and are taking place at the same time The shows illustrate exactly what it is that linked the two artists line, and the use of expressive force This, the catalogue of the Basquiat exhibition, labelled the definitive exhibition by its curator, brings togetherof the artist's most important masterpieces, sourced from interational museums and private collections With the astonishing radicalness of his artistic practice, Basquiat renewed the concept of art with enduring impact This Basquiat retrospective centres on the idea of Basquiat's unique energetic line, his use of words, symbols, and how he integrates collage in his paintings, sculptures, objects, and largescale drawings The catalogue includes texts by great authors, including Paul Schimmel who tells of his meeting with Basquiat in California Francesco Pellizi who knew Basquiat well and has not written about him for a long time and Okwui Enwezor who talks about the Afro American identityInthe Fondation Louis Vuitton, Paris, is hosting exhibitons on two of the greatest artists of the th centuryEgon Schiele, and JeanMichel Basquiat Both exhibitions have the same curator, and are taking place at the same time The shows illustrate exactly what it is that linked the two artists line, and the use of expressive force This, the catalogue of the Basquiat exhibition, labelled the definitive exhibition by its curator, brings togetherof the artist's most important masterpieces, sourced from interational museums and private collections With the astonishing radicalness of his artistic practice, Basquiat renewed the concept of art with enduring impact This Basquiat retrospective centres on the idea of Basquiat's unique energetic line, his use of words, symbols, and how he integrates collage in his paintings, sculptures, objects, and largescale drawings The catalogue includes texts by great authors, including Paul Schimmel who tells of his meeting with Basquiat in California Francesco Pellizi who knew Basquiat well and has not written about him for a long time and Okwui Enwezor who talks about the Afro American identity.
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