She has played numerous guest roles at other Warsaw theatres such as the Stara Prochownia (Old Gunpowder Store), the Scena Prezentacje (Presentation Stage), and the Teatr Dramatyczny (Drama Theatre) where she collaborated with Krystian Lupa on Thomas Bernhard’s performance,(2001). For instance, I wasn’t aware of the potential of ‘framing’ – that is, to stop a movement at the most expressive moment. Perhaps Stanisław Scierski was the last one I met.At the beginning, we didn’t have any compulsory exercises. Maintaining this level of rigour wasn’t possible, but I did prepare myself properly for each part that I played. Could we try to summarise this experience?To put it briefly, thanks to this work my imagination became well exercised. Jerzy Grotowski was born on August 11th 1933 in Rzeszów, Poland. It was a means to achieve absolute control over the body, this instrument of the art of acting. Obviously, a range of variants was possible. I still wasn’t aware of many things at that stage. What Ryszard Cieślak did in,was the total act, the sacrifice of himself, and without it there would be no.The total act… it is difficult for me to speak about it.My life developed in such a way that I had a different hierarchy of the most important values. There were many études that led to the scene with the two women, for instance.Of everything, this work was the closest to me in Grotowski’s theatre. Therefore we play a double game of intellect and instinct, thought and emotion; we try to divide ourselves artificially into body and soul. I used to close my eyes and see memories from my childhood, of horses and dogs. And this ability of the actor to undergo a transformation in front of the spectators’ eyes… I would like to focus here for a moment on the issue of the actor in Jerzy Grotowski’s theatre. I also remember Jurek [Jerzy] Gurawski, a wonderful architect who had a very particular sense of humour and was able to keep his distance at difficult moments, thanks to which he would often be able to release any tensions. After.] Since 1982, she has taught in the Warsaw Akademia Teatralna (Theatre Academy). When the day came that all the rest of us were able to see it, I was shocked.We all had long boots on, and I was Tarudant., a bullfight – they were separated from the performing space by a high palisade, a kind of wooden ‘wall’. I improvised this lullaby using the motif of ‘Ey,We played many performances in Sweden, Norway, and Denmark, and I lost my voice in Stockholm. Photograph: Zygmunt Samosiuk, courtesy of the Grotowski Institute.Maja Komorowska talks to Barbara Osterloff,‘In Jerzy Grotowski’s Theatre’, Maja Komorowska talks to Barbara Osterloff, trans. I understood how important his thinking was: ‘a personal process which is not supported and expressed by a formal articulation and disciplined structuring […] will collapse in shapelessness’.An important point for me was that spontaneity and discipline are not mutually exclusive but rather the opposite, that ‘far from weakening each another, [they] mutually reinforce themselves’;There is a great temptation to quote Grotowski. Ludwik Flaszen was there of course. I spoke about my experience of working at the Teatr Laboratorium. In this, the first of two parts, listeners will learn more about the work of revolutionary theatre director Jerzy Grotowski.This podcast aims to introduce listeners to the artists, scholars, and archivists who are working to bring the history of performance to life. This performance kept me in suspense. The work lasted continuously from morning till evening. Joseph Svoboda is among those typically credited with: all of the abbove. When the theatre was going to be shut down, Jerzy Grotowski would call us to say that it was uncertain whether we would be able to continue working, because there was no money etc., etc.Whom do you remember from the Teatr 13 Rzędów group?During the period when I was there, there already existed a group of permanent members. She joined the Teatr 13 Rzędów (Theatre of the 13 Rows) in Opole in 1961 and collaborated with Jerzy Grotowski until 1968, with a break for nearly a year in 1964.

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